Equipment catalog

The d&b audiotechnik 10D is a four-channel DSP amplifier delivering up to 700 watts per channel into 4 ohms, with onboard loudspeaker management and extensive system protection for d&b loudspeaker systems. The amplifier supports four routable analogue inputs, comprehensive load monitoring and network control via d&b R1 software.

Configured with a custom touring patch panel, the 10D offers a workflow very similar to a d&b D20. Loudspeaker presets, system configuration and amplifier control can all be handled remotely from a laptop running R1, or preconfigured in advance for the system in use.

Using the supplied patch panel, the 10D can run 2 x Y10P and 2 x Y-SUBs on a single pair of NL4 outputs, creating a compact but powerful full-range system with straightforward deployment and control.

The d&b D6 is a 2U, two-channel lightweight amplifier delivering medium power into low impedance loads between 4 and 16 ohms. It is designed for use with d&b loudspeaker systems and includes dedicated configurations for d&b loudspeakers alongside a linear mode for non d&b speaker operation.

It features per-channel signal delay and a 4-band parametric EQ. System setup and configuration are handled via a digital rotary encoder and LCD display on the front panel, with two NL4 speaker outputs provided for connection to speakers.

The D6 is a simple, reliable amplifier option for smaller d&b configurations. It can drive Y10Ps as a compact two-channel setup when subs are not required.

The Ampetronic ILD122 is an induction loop driver designed to provide clear and intelligible sound for hearing aid users with telecoil-equipped devices. It is capable of driving loop areas of up to 200 m² and is optimised for both speech and music reproduction.

We supply the ILD122 with a twisted feed-in cable, terminating in Waygo connectors for quick setup. We can also supply a drum of cable but we charge for cut lengths.

The Klark Teknik DN200 is an active stereo DI box. It features two independent channels with high-headroom transformer-balanced outputs, providing clean signal conversion from line-level, instrument or playback sources to balanced outputs.

The DN200 should be powered by phantom power and includes ground lift switches, input attenuation and parallel link outputs on each channel. Its rugged aluminium extrusion housing is designed for reliable touring and event use.

The MTR DI-2P is a passive stereo DI box designed for converting line-level or instrument signals to balanced outputs. It provides two independent channels with transformer isolation for noise reduction and reliable signal conversion.

Each channel includes a parallel link input and a ground lift switch for dealing with unwanted noise or earth loops. As a passive unit, it requires no external power, and its full isolation design makes it a dependable option for keyboards and laptops.

The MTR DI-3 is an active single-channel DI box designed for converting instrument and line-level signals to balanced outputs. It provides a clean, low-noise signal path with transformer-balanced output.

It includes a ground lift switch along with input attenuation and link output. The unit is powered by phantom power, making it a simple and practical option for guitars, and lower level sources where an active DI is preferred.

The Tascam MH-8 is an eight-channel headphone amplifier designed for studio and live monitoring applications. Each channel features independent level control and can be used with either stereo or mono sources, allowing flexible distribution of monitor feeds to multiple performers or presenters.

We typically use the MH-8 alongside Fischer Mini Bodypacks to provide wired in-ear monitoring systems. Supplied with an 8-way XLR-to-jack loom and jack-to-XLR adaptors, it can be configured as either a 4-channel stereo or 8-channel mono IEM system, providing a straightforward and reliable monitoring solution.

The Fischer Mini Bodypack is a compact passive beltpack headphone amplifier designed primarily for wired in-ear monitoring applications. It provides a simple volume-controlled headphone output in a lightweight metal enclosure that can be clipped securely to a performer’s belt or clothing. It takes an XLR connection and converts it to a 3.5mm stereo jack.

We typically use the Fischer Mini Bodypacks alongside the Tascam MH-8 headphone amplifier to provide straightforward wired IEM systems.

The Austrian Audio OC818 is a premium large-diaphragm multi-pattern condenser microphone developed by the team behind the original AKG Vienna microphone designs. Using a newly developed ceramic capsule and modern manufacturing techniques, it combines classic condenser microphone performance with contemporary features and exceptional consistency. Equally at home on stage or in the studio, the OC818 excels as a drum overhead, on grand piano, acoustic instruments and studio vocals.

We supply the Dual Set Plus, which includes a cased matched pair of microphones complete with shock mounts, windshields and a stereo bar.

The DPA d:vote 4099 is a compact high-quality instrument microphone designed for close-miking a wide range of acoustic instruments while keeping the microphone position consistent and unobtrusive. It uses a supercardioid capsule for strong off-axis rejection and clear, detailed capture of the instrument, even in louder stage environments. The lightweight gooseneck and clip system allow the microphone to be positioned securely without significantly affecting the instrument or performance.

We supply the 4099 with MicroDot adaptors either to XLR adapters for wired use, or to Sennheiser locking 3.5 mm connectors for use with Sennheiser beltpack transmitters. A range of dedicated mounting clips is available for cello, violin, acoustic guitar, saxophone and trumpet, along with a universal Velcro-style mount suitable for flute, oboe, clarinet and other instruments.

The Sennheiser e906 is a dynamic instrument microphone designed primarily for guitar amplifiers, although it is also used on drums, percussion and brass instruments. It features a supercardioid pickup pattern for effective isolation and feedback rejection, along with a tailored frequency response that delivers clear, detailed midrange and presence.

The flat-fronted side-address design allows the microphone to be hung directly in front of a guitar cabinet without requiring a stand. A three-position presence switch provides additional tonal flexibility, allowing the microphone response to be adjusted to suit different sources and styles.

The Shure Beta 91A is a condenser boundary microphone designed primarily for kick drum and other low-frequency applications. Its half-cardioid polar pattern provides strong gain-before-feedback and good rejection of off-axis sound, while the tailored frequency response delivers powerful low-end reproduction with clear attack and definition even at very high SPLs.

The low-profile design incorporates an integrated preamplifier and XLR connector, allowing the microphone to be placed directly inside a kick drum without the need for additional mounting hardware or stands. A two-position contour switch allows selection between a flatter response for more natural reproduction or a low-mid scoop setting that emphasises low-frequency punch and high-frequency attack for a more modern kick drum sound.

The RØDE NT3 is a small-diaphragm condenser microphone with a tight cardioid pickup pattern, designed for both studio and live sound applications. It features an end-address 3/4-inch capsule, delivering a detailed and natural sound with low handling noise, making it well suited to acoustic instruments, percussion and ambient microphone duties.

Its heavy-duty metal body and integrated mesh grille make it a robust option for live and touring use.

The Audix D6 is a dynamic instrument microphone designed for stage, studio and broadcast applications. It features a cardioid pickup pattern for effective isolation and feedback control, along with a VLM (Very Low Mass) diaphragm for natural and accurate sound reproduction.

It has a tailored frequency response of 30 Hz – 15 kHz and is capable of handling sound pressure levels in excess of 144 dB, making it particularly well suited to instruments requiring extended low-frequency reproduction such as kick drums, large toms and bass cabinets. The design is lightweight and compact, allowing for easy positioning in tighter setups.

The D6 is built with a precision-machined aluminium body with a black anodised finish, steel mesh grille and gold-plated XLR connector. Its transformerless, low-impedance balanced output helps ensure clean, interference-free performance.

The Sennheiser e604 is a compact dynamic instrument microphone designed primarily for close-miking drums and percussion. It features a cardioid pickup pattern with high SPL handling and a tailored frequency response suited to toms, snare and percussion instruments.

Its lightweight reinforced housing and integrated rim clip allow the microphone to be mounted directly onto drums without the need for separate stands, helping keep stage setups compact and uncluttered.

The Sennheiser e614 is a supercardioid electret condenser microphone designed for instrument and overhead applications where fast transient response, high SPL handling and extended high-frequency reproduction are required. Its small-diaphragm design and compact size provides a clear and accurate sound, making it well suited to drum overheads, cymbals, acoustic instruments and ensemble pickup.

The Shure Beta 57A is a dynamic instrument microphone designed for high-output live sound applications. It features a supercardioid pickup pattern for improved isolation and feedback rejection, along with a tailored frequency response that delivers strong presence and detail across vocals, guitar amplifiers, drums and brass instruments. The neodymium magnet design provides higher output compared to the standard SM57, helping retain clarity in demanding stage environments.

Its hardened steel grille and robust construction make it well suited to regular live and touring use, while the compact format allows easy positioning in tighter microphone setups. The Beta 57A is a versatile microphone commonly used where a more focused pickup pattern and slightly brighter, more detailed sound are required.

The DPA d:fine CORE 4266 is a professional-grade omnidirectional headset microphone designed for clear, natural speech reproduction in demanding live environments. It features DPA’s CORE technology for low distortion and high dynamic range, combined with a lightweight, flexible headset frame that provides stable and discreet positioning for the microphone capsule. The omnidirectional pickup pattern helps maintain consistent sound quality even with small movements, making it well suited to presentation, theatre and broadcast-style applications.

We supply these as a headset option for wireless systems, fitted with a MicroDot to Sennheiser locking 3.5 mm connector for direct use with our Sennheiser G3 beltpacks.

The Shure KSM9 is a high-quality condenser vocal microphone designed for detailed and natural vocal reproduction in live performance environments. It features a dual-diaphragm capsule with switchable polar patterns (cardioid and supercardioid), allowing it to be optimised for different stage setups and levels of ambient noise. The capsule design is intended to deliver a consistent, controlled frequency response with a high level of clarity and vocal detail.

It includes an integrated shock-mounted capsule to reduce handling noise, along with gold-plated internal connectors for improved signal integrity and long-term reliability. The KSM9 is a premium handheld vocal microphone, typically used where a more refined and detailed vocal sound is required compared to standard dynamic stage microphones.

The Sennheiser ME34 is a cardioid condenser microphone capsule designed for speech and presentation applications, providing clear and focused voice reproduction with good rejection of ambient sound and off-axis noise. Combined with the 400 mm Sennheiser MZH 3042 metal gooseneck, it forms a flexible podium or lectern microphone suitable for conferences, churches and corporate events. The gooseneck allows precise positioning of the microphone while maintaining a clean and unobtrusive appearance on stage or at lecterns.

The Shure Beta 87A is a high-performance condenser vocal microphone designed for live use, offering detailed and controlled vocal reproduction with a supercardioid polar pattern. It provides a smooth, extended frequency response with a strong presence lift, helping vocals cut through in live mixes while maintaining clarity and natural tone. The tight pickup pattern offers good rejection of off-axis sound, making it well suited to louder stage environments.

It features an integrated pneumatic shock mount system to reduce handling noise and a built-in pop filter to minimise plosives and breath noise. The Beta 87A is a common choice where a more detailed and refined vocal microphone is needed compared to standard dynamic options.

The Shure Beta 58A is a dynamic vocal microphone designed for live performance and speech applications. It features a supercardioid pickup pattern for improved isolation and feedback rejection, along with a tailored frequency response that emphasises vocal clarity and presence in live mixes. The hardened steel mesh grille and robust construction make it well suited to regular touring and event use.

Compared to the standard SM58, the Beta 58A offers a brighter high-frequency response and tighter pickup pattern, helping vocals remain clear and focused on louder stages. It remains one of the most widely used live vocal microphones for both lead vocals and spoken word applications.

The Shure SM58 is a dynamic vocal microphone widely regarded as an industry standard for live vocals and speech. It features a cardioid pickup pattern and a tailored frequency response designed to provide clear, intelligible vocal reproduction while reducing background noise and feedback in live environments. Its simple, reliable design and consistent performance have made it a common choice across live music, corporate events and houses of worship.

The SM58 includes an integrated pneumatic shock mount system to reduce handling noise, along with a built-in spherical pop filter to help control plosives and wind noise. Its durable construction and predictable sound make it a dependable general-purpose vocal microphone for a wide range of applications.

The Behringer X32 Compact is a 40-channel digital mixing console featuring 16 MIDAS-designed microphone preamps, 25 mix buses, 17 motorised 100mm faders and a 7" colour display. It offers full channel processing throughout, including gate, compressor, 4-band parametric EQ and delay on all inputs and outputs, alongside eight stereo effects engines built into the console. Recording and playback is available via the integrated 32 channel USB interface, and network and WiFi remote control is included.

Although smaller than the full-size X32, the Compact uses the same processing engine and operating system, making it fully compatible with the wider X32 ecosystem including AES50 stageboxes and personal monitoring systems. The layout balances portability with hands-on control, retaining dedicated channel strips, assignable controls and flexible routing in a chassis that is easier to transport and fit into tighter production spaces.

The Behringer S16 is a 16-channel digital stage box designed for use with X32 and other AES50-compatible systems. It provides 16 MIDAS-designed, fully programmable microphone preamps on XLR inputs, along with 8 analogue servo-balanced XLR outputs for sending audio back to stage or local output devices. Housed in a compact 2U rack-mount steel chassis, it is built for straightforward deployment in touring or installed systems where remote I/O is required.

The unit connects directly to compatible digital consoles over AES50, allowing audio and control to be carried over a single network cable. Up to two S16 units can be linked together via the built-in AES50 ports, expanding a system to 32 inputs and 16 outputs when required.

The Sennheiser EM100 G3 is a rugged rack-mount true diversity UHF receiver designed for reliable wireless microphone operation in live sound environments. It offers features such as automatic frequency setup and a soundcheck mode for monitoring RF and audio performance during setup.

In our stock, we supply the CH70 variant, which operates on four licence-free UHF frequencies. For a complete wireless channel it needs to be combined with either an SK100 beltpack transmitter or SKM100 handheld transmitter, depending on requirements. For improved RF distribution and stability, it is usually paired with a Sennheiser ASA214 UHF active antenna splitter and two A1031U omni-directional passive antennas, forming a robust and dependable wireless setup for live use.

The Sennheiser SK100 G3 is a compact bodypack transmitter designed for use with the Evolution G3 wireless system. It provides reliable UHF transmission in a rugged metal housing, with on-body controls or infrared sync from a compatible receiver. It must be paired with a Sennheiser EM100 receiver to form a complete wireless channel.

We supply the beltpack with either a standard clip-on lavalier microphone, or a DPA d:fine headset microphone available separately.

The Sennheiser SKM100 G3 is a handheld wireless transmitter designed for use with the Evolution G3 system, providing reliable UHF transmission in a robust metal-bodied microphone format. It features interchangeable capsule compatibility and infrared sync with compatible receivers, allowing quick and straightforward frequency setup. The unit must be paired with a Sennheiser EM100 G3 receiver to operate as a complete wireless microphone channel.

We stock the SKM100 G3 with both the e835 and e845 capsules, offering either a cardioid dynamic capsule suited to general speech and vocals (e835), or a supercardioid capsule (e845) with tighter pickup and improved rejection of ambient noise and spill.

The Y-SUB is an actively driven cardioid subwoofer powered by a single amplifier channel. It uses two long-excursion neodymium drivers in an integrated cardioid configuration, with an 18" front-firing driver in a bass-reflex chamber and a 12" rear-facing driver in a bandpass design. This arrangement produces a controlled cardioid dispersion pattern that reduces low-frequency energy behind the system, improving clarity and limiting spill onto the stage and surrounding areas.

It is designed to pair with our Y10P tops, extending low-frequency response to deliver a solid, controlled bottom end as part of a coherent Y-Series system. This makes it well suited where clean coverage and reduced stage wash are important in smaller or more acoustically challenging spaces.

The cabinet includes an integrated M20 pole mount for use with a distance rod and can be driven by either the d&b D6 or 10D amplifiers as part of a standard Y-Series system setup. The Y-SUB has integrated wheels and is supplied with a transport lid and soft cover.

The d&b Y10P is a compact 2-way passive point-source loudspeaker featuring two 8” drivers in a dipole arrangement and a 1.4” compression driver mounted to a rotatable constant directivity horn. Its horn geometry and bass-reflex design provide full bandwidth performance with extended low-frequency output for its size, while maintaining controlled dispersion across the mid and high frequencies.

The Y10P delivers 110° horizontal directivity controlled down to 500 Hz, with a 40° vertical dispersion. The HF horn can be rotated by 90° to allow horizontal or vertical orientation, making it a flexible cabinet for a wide range of deployments as a standalone full-range system or as part of a larger Y-Series setup.

We supply our Y10Ps either flight cased as a pair with the YP swivel brackets for pole-mounting, or in soft covers. They are driven by either the D6 or 10D amplifiers and can be used with or without the matching Y-SUBs.

The HK Audio DART is a compact active two-way loudspeaker designed primarily for monitoring applications, with enough output and flexibility to also be used in small front-of-house or pole-mounted systems. It combines a 12” low/mid driver with a 1” high-frequency driver in a 60° x 40° constant directivity horn, powered by a built-in bi-amped system delivering 250 W RMS to LF and 60 W RMS to HF.

It offers a frequency response of 80 Hz – 19 kHz (±3 dB), with a maximum SPL of 123 dB, and includes multi-band limiting and protection circuitry to maintain consistent performance at higher levels. Input flexibility includes balanced mic and line inputs with separate level control and a simple two-band EQ for basic tonal adjustment.

We supply the DARTs primarily as stage monitors where they perform reliably and deliver clear, punchy monitoring for live performers. They can also be used on a stand in smaller spaces, with the integrated DuoTilt 36 mm pole mount helping to angle the cabinet towards the audience when required.

The K&M 21302 is a heavy-duty steel speaker stand with a hand-crank height adjustment system, designed for safely lifting and supporting larger loudspeakers. It features a 35 mm pole with integrated M10 threaded insert, a push-button locking system and additional safety locking screw to prevent uncontrolled lowering during setup.

The stand has a maximum height of 2.18 m and a load capacity of up to 40 kg, making it well suited to point-source systems such as our d&b Y-Series cabinets. The crank mechanism allows a single person to raise and lower speakers in a controlled manner.

The K&M 21339 is a heavy-duty distance rod designed for mounting loudspeakers above subwoofers using a standard M20 threaded connection. It features a steel construction, adjustable height from 93–152 cm and a hand-crank mechanism for controlled and straightforward height adjustment. The rod has a safe working load of 35 kg and includes a locking screw for secure positioning.

We typically use the 21339 with the d&b Y-SUB to support Y10P loudspeakers in ground-stacked configurations, creating a compact and stable full-range system with clean cable management and consistent coverage.

The K&M 210/8 is a professional boom microphone stand. It features a durable steel construction with a folding tripod base and an adjustable double telescopic boom arm, allowing flexible microphone positioning.

The stand uses K&M’s clutch height adjustment system for quick setup and secure positioning, while the long boom arm provides extended reach where required. The boom arm can be removed if a cleaner look is required.

The K&M 259 is a low-profile microphone stand designed primarily for kick drum, guitar amplifier and other close-miking applications where a standard-height stand would be impractical. It features an adjustable height and a telescopic boom arm, giving more flexibility in tight or cluttered stage setups than many fixed or limited short stands.

The K&M 23956 is a 5" pop filter designed to reduce plosive sounds during close-miked speech and vocal recording. It features a double nylon screen mounted on a flexible gooseneck with a clamp for quick attachment to most microphone stands.

The Showtec Professional 40 cm mirrorball is a classic effects fixture finished with small 5 x 5 mm glass mirrors for a dense, even light reflection.

It features an integrated safety attachment point for secure rigging and has a 40 cm diameter.

Mirror ball motor used to turn mirror balls up to a maximum total weight of 10 kg. Spins at approximately 1 RPM. Incorporates a secondary attachment point on the spindle for the mirror ball safety cable. Supplied with 2 x half couplers and terminated with a 16A connector.

The Obsidian Netron EN4 is a 4-port Ethernet to DMX node designed for distributing lighting control data over networked systems. It supports Art-Net and sACN protocols, converting Ethernet-based lighting data into four independent DMX512 outputs.

Each output is opto-isolated for reliable signal integrity, and the unit is housed in a compact, rack-mountable enclosure. The EN4 can also be configured to operate as a 1-to-3 DMX splitter using the supplied adaptor, providing additional flexibility for smaller or more conventional DMX-based setups. It can be configured via network tools or directly on the device and the built in presets cover all the common setups.

The QTX DP4 is a 4-channel DMX dimmer pack designed for controlling conventional lighting fixtures from a DMX lighting desk. It provides four independently controlled output channels, each with two IEC power outputs, allowing multiple fixtures to be run per channel. Control is either via standard 4-channel DMX or through 16 built-in chase programs for stand-alone operation.

The unit features an LED display for configuration and status, along with a pulse function designed to keep lamp filaments warm for improved response to fast level changes. It is intended for use with incandescent loads and is not suitable for LED fixtures. The compact housing makes it easy to integrate into small lighting rigs as it can be rigged on a bar or placed on the floor. We supply with IEC-16A adaptors and optional 16A-15A adaptors.

The Martin ERA 150 Wash is a compact moving head wash fixture designed for professional stage and event lighting applications. It features a high-output 28OW RGBW LED source with smooth colour mixing and a wide 4.2 - 58˚ zoom range, providing soft or tightly controlled washes depending on configuration. Its fast, quiet movement and consistent output make it suitable for both key lighting and general stage coverage. It includes advanced color-calibration features including a CTC channel that allows precise, calibrated whites and RGB colour mixing around your desired white point.

We supply these in a flightcase of four fixtures, pre-rigged with omega brackets and half couplers and optionally attached to a short T-bar with a wiring loom for faster deployment. This allows for efficient setup, reducing rigging and setup time.

The Lightmaxx COB BAR 1.5 is a compact LED batten featuring 5 x 10 W RGB COB LEDs with a wide 60° beam angle for wash, blinder and pixel-style effects. The COB design provides a strong, even output suitable for illuminating stages, walls and performance areas with saturated colour washes or chase effects.

The fixture supports standalone and DMX operation, with selectable 3, 5, 15 or 18 channel modes. Its compact size and mounting bracket make it suitable for both floor-mounted and rigged setups.

The Showtec Compact Par 18 MKII is a compact LED PAR fixture fitted with 18 RGB LEDs for wash lighting applications. It provides a wide, even beam suitable for stage washes and backdrop lighting.

It supports multiple operating modes including standalone programs, and DMX control. The lightweight housing includes a mounting bracket for floor or hanging use, making it a simple and flexible fixture for general-purpose LED wash lighting.

E27 Lamp holder supplied with vintage squirrel cage lamp.

The K&M 24740 Wind-Up Stand 4000 is a medium-duty wind-up lighting stand designed for safely lifting and supporting lighting fixtures and small truss sections. It features a crank-operated height adjustment system with automatic locking for controlled raising and lowering during setup. We supply with an adaptor to take a standard TV spigot.

The Millenium LST-310 is a lightweight aluminium lighting stand designed for supporting small lighting fixtures. It features adjustable height and a TV spigot top. We supply with a four position square section T-Bar for smaller lighting setups.